Canton Symphony Orchestra knows the need for change within the orchestral community. The tradition of classical music has ignored many communities that have contributed to the development and canon of repertoire played in the concert hall. While Canton Symphony is a regional orchestral, change starts at the smallest level. With “Orchestrating Change”, the Canton Symphony Orchestra hopes to facilitate conversations that will make the concert hall a more welcoming place for previously ignored communities as well as create more acceptance and diversity on the stage. GOALS - Be a platform for open discussion about diversity and inclusion in the orchestral community. - Be a platform for Black, Latinx, Asian, female, and LGBTQAI+ musicians, composers and administrators as well as other ignored demographics. - Educate our audience to issues surrounding diversity and inclusion and expose our current patrons to more music by Black, Latinx, female, Asian, and LGBTQAI+ musicians and composers. - Bring new audience to the orchestra by creating a more welcoming community that is reflective of the demographics in our Canton, Ohio community. - Move the CSO forward to programming more diverse music as well as increasing diversity within the organization.
Episodes
Friday Oct 28, 2022
Season 4, Episode 2 with Michelle Cann
Friday Oct 28, 2022
Friday Oct 28, 2022
We are thrilled to be joined today by pianist extraordinaire Michelle Cann! She has performed as a soloist with many of this country’s finest orchestras, including the Philadelphia and Cleveland Orchestras, and the Cincinnati, New Jersey, Atlanta, St. Louis, and Detroit Symphonies, among many others. We are beyond fortunate that she has managed to fit the Canton Symphony Orchestra into her busy schedule this year, joining us for our Masterworks concert on October 30th! A champion of the composer Florence Price, she gave both the New York and Philadelphia premieres of Price’s Piano Concerto in One Movement, and also recorded the work in a remarkable COVID-era recording session with the New York Youth Symphony. She earned her bachelor’s and master’s degrees right up the road from us at the Cleveland Institute of Music, then went on to pursue an Artist’s Diploma at Curtis, where she is now a member of the faculty. Michelle Cann, it is truly an honor to talk to you today!
Orchestrating Change is available wherever you get your podcasts. We also have a new website! Go to www.orchestratingchange.com to sign-up for email reminders, view past episodes, and see the various channels where you can view our content. For more information about everything else we are offering at this time, please visit www.cantonsymphony.org.
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